A non-comprehensive list of lines from earlier versions of Hadestown that were cut from the Broadway version and which I mourn daily. Might add to this later. Might also someday make a list of lines that were added for Broadway that bopped enormously to create spiritual balance. Bold is actually meant as emphasis for once.
Ruminations on Hades and capitalism:
“King of diamonds, king of spades / Hades was king of a kingdom of dirt
/ miners of mines, diggers of graves / they bowed down to Hades who
gave them work / and they bowed down to Hades who made them sweat / who
paid them their wages and set them about / digging and dredging and dragging the depths of the Earth to turn its insides out / singing la la la la la la la.”
—Epic 1, original concept album and Epic 2, NYTW live recording.
(note: Anaïs Mitchell said ¡¡Keep it in the ground!!)
“The heart of the king loves everything / like the hammer loves the nail.”
—Epic 2, original concept album, and Epic III, NYTW live recording.
(note: I fell in love with this line at 13 and never got over it. This line actually permanently shares a file in my brain with a Zadie Smith quote from White Teeth, “Oh he loves her, just as the English loved India and Africa and Ireland.”)
“And Hades is king of the scythe and the sword / he covers the world in the color of rust / he scrapes the sky and scars the earth / and he comes down heavy and hard on us.”
—Epic 2, original concept album and Epic III, NYTW live recording.
(note: the condemnation of industrialization and urbanization..skyscrapers and mining as a physical wound inflicted on nature…also the consonance…)
Keep reading